How is it that tango and samba succeeded in overcoming their modest beginnings to finally achieve national recognition and become symbols of their countries? The answer that Florencia Garramuño offers in her book Primitive Modernitiesis twofold: on the one hand, the taste of the elites moved towards these popular genres, becoming (relatively) more plebeian; on the other hand, these genres became progressively “more sophisticated and polished” (p. 22) until they eventually garnered the aura of prestige associated with the “civilized” world.
Copyright © 2012-2013 Estudios Interdisciplinarios de América Latina y el Caribe.
Editores: Ori Preuss; Nahuel Ribke
Instituto Sverdlin de Historia y Cultura de América Latina, Escuela de Historia
Universidad de Tel Aviv, Ramat Aviv,
P.O.B. 39040 (69978), Israel.
Correo electrónico: email@example.com